A strategy for introducing the world's great digestif to New York's restaurant and bar scene.
Underberg is the platonic ideal of a digestif. Sold exclusively in small 20ml bottles, it is potent and unmistakable.
The ritual aspect of this product: twisting off the paper, taking the shot, keeping the cap, which you can redeem for rewards, combines with its genuine efficacy in terms of digestion. It's extremely popular in Europe, and this is why: it's fun, and it does its job.
In the US and New York specifically, Underberg hasn't caught on despite its potential. This plan outlines a strategy to change that.
There is a class of product that feels like it has always existed, even to people encountering it for the first time. Underberg's aesthetic possesses this quality: you can read its heritage in a split second. It's familiar without being known.
Campari's surge in popularity offers a clear parallel. Before the cocktail revival of the early 2000s, Campari was a cult product. It had some fans, but it wasn't a household name. Aesthetically, it has similar advantages to Underberg: vintage Campari posters were sold in art shops to people who had never bought a bottle. The strong visual identity and legible heritage is one reason Campari exploded once there was access.
Other examples follow the same logic: Carhartt becoming streetwear. Champion becoming fashionable on the strength of its logo alone. Even PBR becoming more than just another cheap beer. The aesthetic did the introduction before the product did.
Underberg is similarly positioned. The gothic font, the brown paper, and the size give it an artifact quality. It is found, not bought, which is an enormous asset in New York, where authenticity and obscurity are valued.
The core strategic principle: position Underberg as a discovered object, not a marketed one. Since its niche hasn't been filled, it should grow organically.
This is not a product that needs to be explained. It needs to be encountered in the correct context.
Measured over a 12-month period following initial rollout.
| Metric | Channel |
|---|---|
| Substantial increase in NYC restaurant accounts carrying Underberg | Trade / On-Premise |
| Documented organic social mentions and shares | Word of Mouth |
| Press or editorial pickup from food/drinks media in NYC | PR / Cultural |
| Reorder rates at bars and restaurants sustain after initial promotion | Trade / On-Premise |
The following mockups represent the kind of physical and editorial objects this strategy would produce. The cocktail cards are designed for placement at bar and restaurant accounts: small, typographic, in keeping with Underberg's visual identity. The poster series, and t-shirt are shown as placeholders pending final design and copy. This section is less formal and is meant to show some of the thought behind the overall strategy.
Printed cards for distribution at restaurants and bars. Each recipe uses Underberg as a primary ingredient. The Krauter and Iceberg are established cocktails, while the Nola Cooler and Factory Reset are my own. While I've worked as a bartender, I'm sure a consultation with a real pro would result in a really great drink.
A note: I can also imagine these cocktail cards being implemented into a take away pizza box promotion. You get a kit for your pizza date: a pie, a few little bottles of Underberg, and some instructions.
I'd like to work with an art director to fully realize the underlying concept behind these posters. They contrast with the brand's current aesthetic: less polished and more optimized for wheat-pasting, I think it's better if they have a guerrilla feel. Conversely, some of Underberg's advertisements from the 60s, 70s, and 80s are beautiful, refined, and would undoubtedly be effective.
A small run of shirts using Underberg's original logo and typography. Donated anonymously to thrift stores across the city: trendy neighborhoods with young to middle aged creative professionals. LES, Crown Heights, Ridgewood, Bushwick, Chinatown, etc.
This section contains informal research conducted while working on this strategy.
nytimes.com · 2007
This article really shows the quaint charm Underberg can provide. I think mirroring its role in the meal, its marketing strategy should be quietly memorable.
archive.nytimes.com/dinersjournal.blogs.nytimes.com/2007/10/15/pleasant-punctuation-for-a-meal/offthepresses.blogspot.com · 2009
Here's another example. Underberg was having a moment in the late 2000s. I think it was just a little too early to catch on. In this post, the writer describes the ritual aspect of the drink.
offthepresses.blogspot.com/2009/09/underberg-enjoyed-by-glass-in-brooklyn.htmlhopculture.com
I got the term "berg believer" from this article. It's also more contemporary.
hopculture.com/the-cult-of-underberg/